Register for my Jazz Improvisation Class this Summer at Marrell Music, just $135! Click http://www.marrellinstrumentrepair.net/guitar-lessons-marrell-music-lakewood-ohio/summer-music-programs/ to register.
In this workshop students will learn the structure of various styles of jazz tunes and will learn the theory behind improvising their own solos. Music will include a variety of jazz standards such as “Autumn Leaves” and “Stella By Starlight” with an emphasis on the blues. Students should have a command of the following concert scales/keys: F, Bb, Eb, Ab. Instrumentation is open to all winds, brass, keyboards, guitar, bass, and voice. Required Materials: Jamey Abersold Jazz Book 1.
Instructor: Brandyn Metzko
Mondays and Wednesdays, 12:30-2pm
June 15-July 11
Grades 7-12 and Adult
Instruments – piano, voice, woodwinds, brass, guitar and bass instruments
Brandyn has had thriving private teaching studios in Central Florida, New York City, San Francisco, Los Angeles, and Cleveland. Brandyn teaches flute, clarinet, saxophone, trumpet, French horn, trombone, tuba, violin, viola, cello, piano, voice, conducting, music theory, and music history. Brandyn has also arranged countless works for concert band and chamber ensembles and has composed a number of original works. He performs and teaches throughout Northeast Ohio.
Saturday, May 30, 2015
Friday, May 29, 2015
Reflection on my Master's Degree Program
I am
proud to be completing my Master’s of Entertainment Business Degree at Full
Sail University. This program has taught
me invaluable skills and given me great experiences that I will treasure and
use to further my business.
In
Media Literacy and Research Methodologies I learned how to research and honed
my knowledge of APA style.
In
Executive Leadership I found many ways to become a better leader. I found the discussions of power in
relationships and social negotiating very helpful.
My Project and Team Management
course taught me about scheduling resources using Gantt charts and helped me to
learn about how to best choose people who will work well together as well as
how to improve the functionality of teams.
I found that the Business
Storytelling and Brand Development course framed marketing in a way that I had
not thought of before. Telling the story
of who you are and how you got to be there—the why you do what you do—is a very
potent marketing technique that I now find invaluable.
I perhaps had the most opportunity
for improvement in the area of Entertainment Business Finance. This was my weakest area prior to starting my
graduate program. I learned how to
create pro forma financial statements, how to work with accounts payable and
receivable and how to create a business budget.
I also learned how to create reasonable projections that I can use to
show potential return on investment.
Negotiating and Deal-Making taught
me techniques to work with deals and how to negotiate offers effectively to
benefit my career.
I really enjoyed the Product and
Artist Management class. In fact, this
was possibly my favorite. I gained
insight about riders and scheduling and learned a lot about what Artist
Managers and Talent Agents do.
Advanced Entertainment Law was
quite useful as we explored the process of securing rights for works and how to
navigate the “copyright jungle.” Having
a year of law school prior to my enrollment at Full Sail gave me background and
helped me to be able to understand the content more thoroughly.
Entertainment Media Publishing and
Distribution was quite interesting. As a
result of that class, I now have an inexpensive media publishing and
distribution method through Amazon.com that produces media that I write and
record and delivers it to ordering customers at a low per-unit cost.
My Business Plan Development and
Final Project Classes really put everything in perspective and helped me to
pull all of my information into a synthesized package. I crafted and presented a business plan for
MusicBrandyn, LLC, my current business and doing so helped me to run my
business more efficiently and to set clear goals for the future.
I would the Master’s of
Entertainment Business program to anyone and am so proud to graduate with this
degree next week.
Sunday, May 17, 2015
10 Things You Need to Stop Doing (or Be Sure to Do) as a Conductor
Many musicians find themselves in a position where they are
conducting without having had proper training as a conductor. Here are 10 things that all novice (and even
some professional!) conductors could use to be reminded of:
1.
Keep your score in your head, not your head in
the score. Know your score so you know
what to expect and can focus your attention on the current performance.
2.
Lead, don’t follow the ensemble. A conductor paints music with the instrumentalists
before him as her brush. If you are
being reactive you are not participating in creating the music, you are simply waving
your arms afterwards.
3.
Make eye contact. Especially when you cue an entrance. Watch for any sign that they are uncertain or
nervous. Maintain eye contact whenever
they are entering a treacherous section and be reassuring with your eyes.
4.
Don’t give “a measure for nothing.” Your cue
should be strong enough to bring them in.
5.
Always breathe with the musicians when cueing--even
if they are a string or percussion player and don’t normally need to
breathe. Breathe in the style of the
music that you want to hear, and in time.
The breath is a powerful thing and should be used to set your intention.
6.
Know the basics cold. Don’t conduct a piece in 5/4 or 6/4 if you
are not comfortable with the pattern.
Know the music and know all the markings. Be able to answer questions about it if the
musicians ask.
7.
Come to rehearsal with a plan. Know what will likely be challenging and have
a few ideas on how to overcome those challenges.
8.
Give specific feedback. After each run through, start with what was
good, and then go over things that could be better. Be specific on what you’d like and how to
get there.
9.
When referring to a place in the music, first
say who you want to play, then where in the music (measure numbers, etc.), then
what musically you are looking at.
Giving directions in any other order will waste rehearsal time by not
being clear and will confuse the musicians.
10.
Put it in context. Whenever you work out an issue be sure to go
back a little before it starts and play through so the musicians get an idea of
what the isolated area in question sounds like as part of the full music.
Tuesday, May 12, 2015
Monday, May 11, 2015
NOW HIRING Marching Band Drumline Advisor (North Olmstead, Ohio)
DATE: May 6, 2015
POSITION: Marching Band Drumline Advisor
North Olmsted High School
North Olmsted High School
RESPONSIBLITIES: Provide Drumline students with concentrated instructions.
Maximize the quality of performance of the Drumline.
Collaborate closely with Band Directors to ensure program continuity.
Promote a strong sense of discipline within the Drumline.
Promote the cohesiveness of the Drumline as part of the band.
Promote and instill the concept of “striving towards musical excellence.”
Promote a positive sense of school/band spirit.
Attend all outside-of-school rehearsals and performances during marching band season.
Attend all summer rehearsals and schedule additional
Drumline rehearsals.
Help with auditions and Drumline placement.
Maximize the quality of performance of the Drumline.
Collaborate closely with Band Directors to ensure program continuity.
Promote a strong sense of discipline within the Drumline.
Promote the cohesiveness of the Drumline as part of the band.
Promote and instill the concept of “striving towards musical excellence.”
Promote a positive sense of school/band spirit.
Attend all outside-of-school rehearsals and performances during marching band season.
Attend all summer rehearsals and schedule additional
Drumline rehearsals.
Help with auditions and Drumline placement.
Optional duties: Write, arrange and compose music for performance by the Drumline.
EFFECTIVE DATE
OF VACANCY: Immediately
OF VACANCY: Immediately
Applicants should submit letter of interest and resume to:
Michael F. Diamond
Director of Human Resources
27425 Butternut Ridge Road
North Olmsted, Ohio 44070
Phone: 440.779.3550
Fax: 440.779.3505
Director of Human Resources
27425 Butternut Ridge Road
North Olmsted, Ohio 44070
Phone: 440.779.3550
Fax: 440.779.3505
Sunday, May 3, 2015
New LGBT Band forming in Arkansas!
There's a new LGBT band forming in NW Arkansas! If you play an instrument (or used to) and are in the NW Arkansas area, please check them out and consider playing! :-)
[Not in Arkansas? There are over 50 LGBT bands worldwide-- visit http://www.gaybands.org to find out about yours.]
REMINDER: Pride Band Registration
DEADLINE is next Saturday, 5/9!
** ESPECIALLY, LOOKING FOR TRUMPET PLAYERS **
Come join the
NWA Community Pride Band
As we perform at the
2015 NWA Gay Pride Parade
Saturday June 27, 2015
9am to 12 Noon
On Dickson Street Fayetteville, AR
Contact Person: Norma Horner, Band Coordinator
Phone/Text: 479-790-0632
Email: nwaprideband@gmail.com
Deadline for Registration:
Saturday, May 9, 2015
SHOW YOUR PRIDE & JOIN THE BAND!
[Not in Arkansas? There are over 50 LGBT bands worldwide-- visit http://www.gaybands.org to find out about yours.]
REMINDER: Pride Band Registration
DEADLINE is next Saturday, 5/9!
** ESPECIALLY, LOOKING FOR TRUMPET PLAYERS **
Come join the
NWA Community Pride Band
As we perform at the
2015 NWA Gay Pride Parade
Saturday June 27, 2015
9am to 12 Noon
On Dickson Street Fayetteville, AR
Contact Person: Norma Horner, Band Coordinator
Phone/Text: 479-790-0632
Email: nwaprideband@gmail.com
Deadline for Registration:
Saturday, May 9, 2015
SHOW YOUR PRIDE & JOIN THE BAND!
Saturday, May 2, 2015
Insights from Business Plan Development at Full Sail University
I recently
took a course called Business Plan Development at Full Sail University as part of my Master’s
of Entertainment Business degree program.
Upon enrolling in the course, my original goal was to have a clearer
picture of my own business financials and to find ways to improve profitability
as a working composer, conductor, teacher and music producer. I am
pleased to report that this objective was more than met, and I have learned far
more about creating an artist business plans than I had anticipated.
The course
broke up writing an artist’s business plan into several areas. Over the first part of the course we examined
our target market and consumers and refined our strategic marketing plan for
our entertainment company. Then, we
looked into our sales mechanism and examined how to create a positive cash flow
for our art. We continued by examining
our current and future staffing needs and then spend a considerable amount of
time working out the numbers in such a way that investors can see a potential
positive cash flow.
Two topics
captivated me more than the others during this course. The first was the creation of my “one-minute
elevator pitch.” This is a brief
description telling the story of my company; the who, what, where, how and why
in a succinct manner. I plan to refine
and rehearse this so that I use it in my day-to-day networking and let everyone
I meet clearly know what I am and what it is I do.
The second
topic that captured my interest was the financial statement creation. I had done some pro forma financials for my
business before, but never with much depth.
I was able to identify a need to delay additional staff for another year
or so in order to save on expenses and a need to boost my marketing and sales
mechanism in order to increase net income so that my bottom line remains in the
black.
I am
looking forward to graduation in June from Full Sail, and have thoroughly
enjoyed my master’s program. While the
work took time and dedication, I learned so much that I would not have had the
opportunity to otherwise know.
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